The Stage and Social Struggle in Early Modern England

The Stage and Social Struggle in Early Modern England

Jean E. Howard

Language: English

Pages: 192

ISBN: 0415095530

Format: PDF / Kindle (mobi) / ePub


The Stage and Social Struggle in Early Modern England is a ground-breaking study of a controversial period of English literary, cultural, and political history.
In language that is both lucid and theoretically sophisticated, Jean Howard examines the social and cultural facets of early modern theatre. She looks at the ways in which some theatrical practices were deemed deceptive and unreliable, while others were lent legitimacy by the powerful.
An exciting and challenging work by one of the leading writers in the field, The Stage and Social Conflict in Early Modern England is important reading for anyone interested in the period.

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acknowledged by the Act of the Common Council of London with which I began this chapter, in which the Council registered a fear that public playing removed the stabilizing contexts for reception provided by the nobleman’s house or the official occasion of the wedding ceremony. Exploring similar issues, Steven Mullaney has recently suggested that the Renaissance stage, in an era when literacy was still not widespread, served to expand, for the urban populace of London, the parameters of the

the clear-eyed Duke Humphrey as their respective embodiments. In structure the scene works to displace the false miracle of St Albans’ shrine with a spectacle of truth and justice engineered by the good duke. The episode opens spectacularly when someone enters “crying ‘A miracle!’” (S.D. after II. i. 56). A procession soon follows involving what must be a significant number of people. The stage directions read: “Enter the Mayor of Saint Albons and his Brethren, [with music,] bearing the man

and the Question of History, ed. D.Attridge et al., Cambridge: Cambridge University Press. —— (1990) Outside Literature, London: Routledge. Berger Jr, H. (1981) “Marriage and Mercifixion in The Merchant of Venice: The Casket Scene Revisited,” Shakespeare Quarterly 32:155–62. —— (1982) “Against the Sink-a-Pace: Sexual and Family Politics in Much Ado About Nothing,” Shakespeare Quarterly 33:302–13. Bergeron, D. (1971) English Civic Pageantry 1558–1642, London: Edward Arnold. —— (ed.) (1985)

88:7–29. —— (1992) “The Subtexts of The Roaring Girl,” in Erotic Politics: Desire on the Renaissance Stage, ed. Susan Zimmerman, London: Routledge: 12–26. Park, C. (1980) “As We Like It: How a Girl can be Smart and Still Popular,” in The Woman’s Part: Feminist Criticism of Shakespeare, ed. Carol Neely et al., Urbana: University of Illinois Press. Parker, P. (1993) “Gender Ideology, Gender Change: The Case of Marie Germain,” Critical Inquiry 19:337–64. Paster, G. (1985) “The Idea of London in

D. 30, 83, 142, 154, 157n6 Kate (Hotspur’s wife) 150 Katherine of France 149, 151, 152 Kelly, J. 162n9 King Lear (Shakespeare) 44, 71, 128 kingship see monarchy Kinney, A. 42, 158n7 knowledge production 17, 18, 20, 157n9 Kreiger, E. 64 Kuhn, A. 119 Lamb, M. 164n10 Laqueur, T. 98 Laxton 122, 126 Leinwand, T. 158n10 Leonato 65, 66, 69, 70 lesbianism 111 Levine, L. 161n2 Lodge, T. 141, 158n7 Long Meg of Westminster 127, 165n18 Lopez, Dr 49 Lord Mayor’s shows 41, 158n9 Luce vi 87 Luce 1 87 Lyly, J.

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